I think I am struggling with fear, but I am not. I am struggling with something else. Fear is a smokescreen. These last three weeks, worried about an ache
in my side, I’ve been dragged down by the feet into a vaporous place.
Unfocused. Numb. Yet scared. All the
logic, self-talk, and advice can’t bump me up and out of this place. It’s not that simple. It takes more work, digging, clawing my way,
not out, but deeper in. I am trying to
see beyond the smoke. My brother-in-law
last night said, “When you are afraid, go into your fear, go deeper, and it
will dissipate.”
Today I am on another airplane. I’m on my way home after five days in
Encinitas. Craig and I flew down for a
poetry reading in LA, and to visit family.
Every day, I ran or walked, sometimes in sun, sometimes under low
clouds. I was drawn to the beach, a
stretch of flat sand tracked by gulls, whimbrels, sanderlings and their
kin. A low-sloping beach sheened by the
vitreous leavings of waves. A flat
horizon, next landfall, Hawaii. Surfers
in black wetsuits floating like seals, waiting for swells, which crested
Coke-bottle green, shadows of kelp backlit for a moment before breakage. On the beach, displaced bull kelp lay in
heaps, coils, spirals, snakes. Human
beings walked, ran, biked, or sat with eyes closed, meditating. I like to be alone among humans. It is
private and soothing to be a stranger, taking off my shoes, running along the
waterline, waves sloshing against my ankles and pulling back, dizzying me, no
one saying hello. The way back to my
family’s house took me up a steep hill, alongside a small park with trees and
benches. There I’d pause, winded from
the climb. I’d sit under a flowering
tree, alone there with my fear. The fear
which had run with me like a companion, keeping up its end of a conversation in
my head, my mind scrolling through the possibilities: Muscle pull?
Pleurisy? Cancer recurrence? Yesterday, sitting there, I tried to brush
the smokescreen away. If cancer has come
back, so what? What good will my fear
have done? I wanted to cry for every
unappreciated moment of feeling completely strong and healthy in my body these
last three years. Had I wasted time? Was my body speaking to me, warning me,
asking something of me? Or simply
uttering a cry to itself? What if the
voice of my body, this ache, that pain, is not meant to be heeded at all? What if it’s not telling me anything? And if cancer comes back, so what? That’s the question that circled back, again
and again. In that question, there seems
to be some secret, some key to my sense of being lost, isolated, these last
three weeks. Or some key to this whole
dilemma of life – After? With? – breast cancer.
I don’t know my fate.
On the plane, over the serrated, snow-striated mountains of
British Columbia, I finish reading Terry Tempest Williams’ When Women Were Birds:
Fifty-Four Variations on Voice.
At the end of this book-length essay, she writes of her diagnosis of a
cavernous hemangioma, a tangle of vessels in the part of her brain called
Wernicke’s, “the home of language comprehensions, where metaphor and the
patterned mind live.” She had a bleed
there, with transient symptoms. It could
bleed again, but likely not. She was
offered two choices: surgery or “wait
and watch.” A doctor asked her “How well
do you live with uncertainty?”
I have written recently that I do no live well with
uncertainty. Or, more accurately,
lately, I have not been living well with uncertainty. My fears and untamed thoughts have been
living my life for me. Williams quotes
from Loren Eiseley’s essay “The Judgment of Birds” near the end of her
book. He describes once waking in the
woods to terrible cries. A raven has
grabbed a nestling, and the parent birds were circling and shrieking. “The
sleek black monster was indifferent to them.
He gulped, whetted his beak on the dead branch a moment and sat
still.” And then other birds arrived and
began to sing. “And he, the murderer,
sat on there, unmoving, unperturbed, untouchable.” What a perfect description of cancer this
is. Or the grim, feathered reaper in
general. Eiseley writes, of the other
birds singing, that it was a judgment:
“It was the judgment of life against death.” Song sparrows arrived one by one and began to
sing. “They sang because life is sweet
and sunlight beautiful. They sang under
the brooding shadow of the raven. In
simple truth they had forgotten the raven, for they were the singers of life,
and not of death.”
How can one not think of the deaths and maimings in Boston,
reading these sentences? The monster,
and the singers – all those who offered comfort.
“To be numb to the world is another form of suicide,”
Williams writes. I have been numb. This smokescreen is a manifestation of
numbness, of sleep-walking through my life.
Fear hides this truth from me.
Fear is a distraction from more important questions, like another one
Williams asks: “How do we move beyond our own diagnosis?” I have not moved beyond my diagnosis. I don’t know how to move beyond it, but I
know I must try harder. I am being hard
on myself, I know. My writing has been a
process to trying to plow forward, to feel my way, with my eyes closed. I am feeling my way into uncertainty.
Williams writes “This vascular malformation could bleed and
burst. Or I can simply go on living,
appreciating my condition as a vulnerable human being in a vulnerable world . .
. “ A vulnerable world. That is our birthright. But, Williams writes, “there are so many ways
to change the sentences we have been given.”
How do I change the sentences I have been given? The sentences of breast cancer? And all of my other sentences, the ones I
drag behind me, from nearly fifty years of living? In a month I’ll be fifty. How shall I live? That is the question behind fear’s smokescreen. Not “Will I die?” Not “What is wrong with me?” Not “What is my prognosis?” Not “What are my chances?” Not “How much time?”
The answer to the question “Have I wasted time?” is
yes. I have woken morning after morning
failing to ask the most important question.
Not “How do I feel?” But “How
shall I live? How shall I live
today?” What will I do with it, this
ribald ruby sunrise, or this subtle dove-gray one, handed to me on a platter
called Kachemak Bay, or the Pacific, hidden by a snow squall, or gleaming under
moonlight, or shattering in sun? What
will I do with it? Don’t let me waste
it.
Terry Tempest Williams’ mother wrote this: “There are two important days in a woman’s
life: the day she is born and the day she finds out why.”
I want to find out why.
Why and why and why, or die trying.
Today, I know why I am writing this blog. It is not to chart anything. It is not to instruct or to impart. It is to say to some stranger, like those
humans I passed on my beach runs, “You
are not alone.” But more importantly, it
is to ask myself, when fear comes, and when it doesn’t, the question “How shall
I live?” And to hold myself accountable
to the answer.